St, Mary's Church & Julia Margaret Cameron
Norwood is full of
pioneering characters and to learn more about the people living in the area, it
is worth studying the work of the most significant 19th century female
British photographer, 👉Julia Margaret Cameron, who was totally bewitched by Sri
Lankan plantation life. Leaving Norwood Ceylon Tea Trails Bungalow behind you,
with its fine views of the eastern end of the Bogawantalawa valley, head along
the trail to the next valley to find St, Mary’s
Church and the grave of one of the worlds most famous female 19th century
photographers that captured the spirit of the Sri Lankan people working at
first in coffee and later tea. She was buried here in 1879, at the age of 63, having
spent six years producing wholly original portraits of the islanders that
decorate the rooms of the most elite bungalows in the area and in particular
Tiensin Bungalow, part of the Ceylon Tea Trails collection. Cameron originally
went to Sri Lanka, then Ceylon, to help manage the family coffee plantation,
which was badly damaged by the blight, but was soon mesmerised by the ancient
traditions, mental and physical strength of the people whose daily life she
would capture on camera.
Her black and white
photographs, already well known in London high society, showed a new level of
respect for their knowledge of plants, creativity and resourcefulness, which
are unmatched even to this day by other portrait photographers. Always supported
by her coffee farming husband, Cameron wrote: “My husband, from first to last,
has watched every picture with delight, and it is my daily habit to run to him
with every glass upon which a fresh glory is newly stamped, and to listen to
his enthusiastic applause.” Her obsession, to capture the beautiful people of
the hills as she walked through the plantations daily, amused guests to her
home, who would say, “if she took a fancy to the back of one of the people she
was photographing, she insisted on her son retaining him as her gardener,
though she had no garden and he did not even know the meaning of the word
garden.” Cameron’s dramatically lit black and white pictures, with soft focus
and angles that looked up at those she captured, instead of down like most of
the other image producers of the period uniquely caught the inner strength of
these inspirational people whose descendants still live in these remote pockets.
Ask about Cameron
inside Saint Mary’s Church and you will be taken on a little tour to her grave
and be told many fascinating things about the area including the best spot to
have a refreshing cup of tea. The stain glass inside the church was provided by
the Cameron family and the people who come to Sunday service have lots to say
about her and her religious like depictions of their ancestors.One old lady told me she could even make sinners look like
saints and gave ordinary folk like tea pickers mythical in status in her
photographs. Sadly you can only see her best work by taking a trip to her home Dimbola
on the Isle of Wight.
Related Article : Julia Margaret Cameron

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